Digital Photography Tips
Digital Camera Today offers superb image quality that competes directly with film.
These cameras look like traditional cameras and work with some additional features. Tricky camera designs are moving into the market quickly because photographers want to take pictures and do not use hard-to-use technology.
Many things about digital cameras are similar to film cameras, some are slightly different from film expectations, and many features are unique to digital photography. Some big differences can actually help you take better pictures than you ever did with a film camera.
For quality results from any camera, the basics of photography still apply no matter what the image is. A tripod is always important if slower shutter speeds are required and larger telephoto lenses are used. The fast shutter speed is an important way of stopping the action, and the f-stop continues to affect the depth of field. Important parts of a scene still need to be focused, and dramatic lighting always helps to make for dramatic photographs.
"Digital" in digital cameras has caused even experienced photographers to worry that this new technology will be difficult to master. But consider this: no initiator ever picked up a camera and knew what all the controls did. For the serious photographer, the f-stop and shutter speed were certainly not comfortable.
Types of cameras
Digital cameras come in a variety of forms, from point-and-shoot pocket cameras to advanced digital SLRs. There is no right or wrong type, although a specific may be best for you and your photography.
Simple point-and-shoot digital cameras can deliver stunning quality when they have the right lenses and sensors. Because they are fully automated in focus and exposure, all they have to do is point and click on a subject. They have limited capabilities to control the image, although very inexpensive cameras often have white balance control. Some are exceptionally compact, able to easily fit into a shirt pocket, making them ideal cameras to hold in hand so you don't miss a great photo opportunity.
Advanced point and shoot cameras are similar in that they rely mostly on automated controls; However, the group wants to add special features to make the cameras a bit more flexible. Such features include exposure compensation, more white balance control, limited manual settings, and more. While still relatively inexpensive, these cameras can be a good introduction to digital and are perfect for families of serious photographers.
Interchangeable-lens, digital SLRs offer all the controls of a 35mm SLR, including lenses that give you a wealth of focal-length possibilities. These cameras are definitely larger than other digital cameras. They include complete and comprehensive photographic control, best in image-sensor and processing technology, high levels of noise control, and more. The LCD panel behind the SLR can only be used for reviewing images, as the sensor cannot provide "live" images due to the mirror design.
Shoot it from the start
The way to get the best pictures from a digital camera is to correct it from the beginning. Yet there is an idea that when you do not have a lot of effort to "help" the computer. This idea has sometimes reached almost real proportions. A few years ago, a digital photography article in a major news magazine stated that software was available that would automatically convert hobbyist photos into images that would rival the best of professionals. That software never existed, nor will it, because good photography has always been about arts and crafts; About understanding the craft tools and using them well; And about perception and the ability to capture an image that captures the audience's attention and communicates well.
Just remember that digital photography is still photography.
The most common mistake people make is camera shake. When you inadvertently rotate the camera while pressing the shutter, you risk a chance to tarnish your image or reduce the sharpness of the image. Keep it steady!
Most point-and-shoot cameras feature a simple exposure override, which normally allows you to overexpose or underexpose your photo. So if the subject is predominantly dark, try to overexpose to compensate. If the subject is predominantly light, then underexposure is the way to go. Try to take a test picture, see it on the screen behind your camera, check the histogram and adjust your risk compensation. Don't be afraid to shoot four or five versions, as LCD screens are not always accurate. You can remove bad pictures later.
A very basic rule of composition is known as the rule of thirds or the tic-tac-to-rule. Split your viewfinder or LCD monitor into nine equally sized squares, like a tic-tac-toe grid. Write your picture with your subject center at one of the four intersections. This should help you create a more aesthetic picture.
Your point-and-shoot camera will likely have an autofocus zoom lens. You will find that the ability to zoom into your subject is fantastic. Be bold Use your zoom lens and write your photo with the subject filling your frame. To begin with, I'd be surprised if you don't get a lot of pictures that are small in the frame. When you look through the viewfinder, look at the entire picture frame and see how big the subject is in your picture, not just in the eyes of the person you are photographing.
Change of view
Consider another thing when taking your photo. A photograph can be more interesting when taken from an unusual angle. Don't be afraid to lay down and look at your subject, especially a dynamic approach when taking pictures of pets or children and posing less danger to your subject. Equally, you can try to climb a higher point of view and look down on your subject. Better yet, try both and then remove what you like less.
Transferring digital images
Digital cameras today come with some way of transferring photos to a computer. This typically includes some types of cables, although some cameras are using infrared and other wireless technologies. However, photographing is not the best approach for photographers on a computer's hard drive. Many people find card readers much more convenient.
The key to working in the digital darkroom
Many photographers have tried to work with image-processing programs such as Adobe-Photoshop and found the whole process difficult, intimidating, and tedious. One big reason for this to happen is that most instruction in books and classrooms takes the wrong approach for photographers: it settles on software and not photography.
Photo "Rules." This is an important thing to remember. When the software is "in charge," the focus is not on the image; It is on learning and memorizing all the functions of the program. Many photographers have sat through classes teaching them about such things as selections and layers before they have any idea why they want such knowledge. This was simply because the instructor thought that these things were key elements of Photoshop.
As a photographer, you know your photos and what you want them to do. Sure you don't know everything you can do with an image in this program, but it is less important than why you took the photo. Only you can know this, and your photographic intent will also guide you on a fixed and steady, craft-driven journey through Photoshop, which is not obsessed with technology.
Experimenting without fear is another important idea to use digital darkroom. Often, photographers have to pay a price to experiment, and many have become cautious and brought that precaution to the digital darkroom. Just remember that there is little you can do for an image in a computer that cannot be undone. Let yourself go, and don't be afraid to experiment.